Tuesday, June 27, 2017

Churchill War Rooms

Tuesday, June 27, 2017
Loretta reports from London:

Fairly early on in our time in London, we visited the Churchill War Rooms. This happened a few days after the attack at London Bridge, and made perfectly clear, in case we hadn't already realized, what it really means to be a "city under siege." As in, when bombs are falling and invasion is a definite possibility.

"The story of the Churchill War Rooms is ... one of brilliant improvisation in the face of deadly necessity," according to the guidebook. You can read a short history of its creation here, and learn more about it on the website. I'm going to do my usual while abroad with extremely low speed internet and alien computer technology, and offer pictures.

What I will point out is, not until you get down into this claustrophobic space, think about the numbers of people working here every day and night in secret, read the signs, see the working conditions, and so on, do you have the beginnings of a clue about what it might have been like to get through that war. I choked up more than once, thinking about the courage and endurance of these heroes.






Sunday, June 25, 2017

What Story Is This 18thc Painting Telling?

Sunday, June 25, 2017
Susan reporting,

Earlier in the year, I posted this painting on Instagram along with close-ups of various details. The painting is so intriguing that I'm going to assemble my rambling observations here as a blog post as well - please feel free to offer your own interpretations! (And, as always, click on the images to enlarge them.)

The artist is Louis Rolland Trinquesse (c1746-1800), a Frenchman who specialized in creating titillating scenes like this that his wealthy patrons craved. With that in mind, I doubt that the title the painting has now - An Elegant Interior with Two Ladies and a Gentleman - was what it was originally called. I'm sure it went by something much more suggestive and saucy; that's just the kind of picture it is.

The gentleman is clearly a good "friend," and has been granted the intimacy of being here in the boudoir of the woman in pink while she dresses. We'll call her the mistress of the house, and I'd guess that she may be (or has been) his mistress as well. This could be an expensively appointed room in their love-nest, or it could be the house she shares with an absent husband. She's wearing a sheer white dressing robe to protect her gown as she arranges her hair and make-up - another sign of intimacy.

But while the man is doing his best to press his advantage - he's leaning into her, his foot nearly touches hers, and his hand is almost on her knee - the  mistress doesn't seem entirely pleased that he's there. She's paying more attention to repairing her somewhat mussed hair and cap than to him. Her tiny feet in seductively high-heeled mules do point towards him, but her legs are firmly crossed at the knee.

Meanwhile, the maidservant (and despite the painting's current title, she is definitely a servant from her dress) seems to be watching the other two with sly interest. She definitely Knows Things, and has probably Seen Things, too, and she'd be perfectly happy to tell them. Note how familiarly she's leaning on the back of her mistress's chair. She's probably wearing her cast-off clothing, as was a common practice among lady's maids, and her cap is nearly as impressive as the one her mistress is wearing. But the front of the maid's pinner apron seems loose, even rumpled, and without that flat, straight front that 18thc stays gave to every woman's torso. Has she left off her stays? Is her body uncorseted, and agreeable available beneath her gown? Maybe she's plotting to take her mistress's place in the man's attentions and his bed - or perhaps she already has.

Outside the window, the sun is either setting, or rising. Does it signify the beginning of an affair, or the end of it? Is the the aftermath of a nigh-long dalliance that the mistress is already regretting, or is she wrestling with her consciences, and wondering whether to give in to the man's persuasive seduction? Consider how she's holding that elaborate cap on her equally elaborate hair with one hand, while taking a pin from the pin cushion with the other (she would have used ordinary straight pins to anchor the cap to her hair.) Would she use one of those pins to jab his wrist if his hand creeps too close?

The fluttering pages of the open book in the background imply an unfinished story. It also appears as if the green drape around the mistress's looking glass on her dressing table has been pulled to cover the glass entirely. Is her conscience so unsettled that she doesn't want to confront her own reflection?

One final thing to note: the large incense burner (the peculiar item on the tripod stand in the foreground) is smoking: richly, luxuriantly, fragrantly. And where's there's smoke....

So what story do you see when you look at this painting?

Above: An Elegant Interior with Two Ladies and a Gentleman by Louise Rolland Trinquess, 1776, The Wadsworth Atheneum.

Saturday, June 24, 2017

Breakfast Links: Week of June 18, 2017

Saturday, June 24, 2017
Breakfast Links are served - our weekly round-up of fav links to other web sites, articles, blogs, and images via Twitter.
Kate Warne, the first female detective in the United States.
Jane Austen, war novelist and worldly businesswoman.
• A rare deposition from the Salem Witch trials that helped sentence an elderly widow to death is to be sold.
Image: Stunning 1856 photo of Queen Victoria with George III's daughter Princess Mary (Minnie.)
• Changes on the land: 19th American photography east of the Mississippi.
• An 18thc tartan frock coat that may have been worn by Bonnie Prince Charlie himself.
• How a fragment of Chinese wallpaper at Uppark can be a piece in a continent-wide puzzle.
Image: An early 19thc view of Sadler's Wells Theatre.
Spy techniques of the American Revolution.
• Protection and punishment: beliefs about angels in Tudor & Stuart England.
• The painted leg: liquid stockings of the 1940s.
• Mud, sweat, and fears: the making of a Japanese kimono.
• Architect Mary Colter was "a surly woman who cursed with abandon" - and designed pioneering National Park structures that blended into the environment.
• Striking portraits of ancient people in this collection of Fayum portraits.
Image: Surely this "Mosco Silk" shawl was unusual in 1804 Portland, Maine.
• How Tories used money and influence to win an election...in 1816.
Rayon, an epidemic of insanity, and the woman who fought to expose it.
• The comforts of home on the battlefield: an 18thc folding camp bed used by General George Washington.
Umbrella etiquette and manners in the 19thc.
• Remembering Bingo, a trench dog and mascot of World War One.
Mary Katherine Goddard, the printer of the first broadside of the Declaration of Independence to list signers.
Image: Just for fun: Civil status, according to Jane Austen. And while we're at it, how about these hints on achieving a Regency Beach Body.
Hungry for more? Follow us on Twitter @2nerdyhistgirls for fresh updates daily.
Above: At Breakfast by Laurits Andersen Ring. Private collection

Friday, June 23, 2017

Friday Video: Behind the Scenes at the Costume Institute of the Metropolitan Museum of Art

Friday, June 23, 2017

Susan reporting,

Consider this both a Friday Video, and a super-duper Breakfast Links.

Recently Google launched a new project through their Arts & Culture program. Called "We Wear Culture: The Stories Behind What We Wear" - the landing-page link is here - the program features scores of links to videos, articles, and on-line exhibitions that highlight fashion, material culture, and clothing, both past and present. Links will lead to museums, collections, and institutions from all over the world, and cover everything from modern fashion trendsetters to the most ancient of textile crafts. There is so much to explore - be prepared to spend some time!

The video, above, is a taste of what you'll find. This is a short behind-the-scenes look at the Conservation Laboratory of the Metropolitan Museum of Art's Costume Institute, and features several garments that presented special challenges. A hint for viewing this video (and it took me a few tries to figure this out!): use the navigation tool in the upper corner to go right and reach each new segment. I remember seeing the Worth gown on display as part of last year's "Masterpieces" exhibition, and the solution to the gown's issues was wonderfully unobtrusive, and a sympathetic way to present a still-beautiful, if damaged, garment.

If you receive this post via email, you may be seeing an empty space or black box where the video should be. Click here to go directly to the video.

Thursday, June 22, 2017

The Wallace Collection

Thursday, June 22, 2017
Loretta reports from London:

Though I had already put the Wallace Collection on my list of must-sees, the enthusiasm of our guide on a Marylebone walking tour led us to seek it out sooner rather than later.

As we came through the entrance, I think my head snapped back, and I had an image of myself with my eyes popping out of my head like a cartoon character. I've been to quite a few stately homes and museums, but I must say that none quite matched the visual impact of this. Though no photos can fully capture the experience, these will, I hope, offer a sense of the house. I also urge you to explore the website.

Meanwhile, we have our fingers crossed that time and circumstances will allow us to go back before we have to leave London.






 
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